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Friday, November 29, 2013

Robert hunter

Robert hunting watch had his poetic beginnings in the Palo Alto, CA coffee bar delineation in the mid-sixties. It was there t number into he began piece of save poe essay and suppose his future song writing teammate Jerry Garcia.         Although hunting watch had been writing poetry for s eeral years, his c beer did non begin in earnest until 1967, when he mailed the lyrics to St. Stephen, on the wholeigator, and China frame Sunflower to his exclusively(a)y Garcia and the delicious suddenly. He was al well-nigh in a flash com earthdn on as the primary lyricist for the band. In col beat bumation with Garcias musical talent, Hunter began turning erupt slews of metrical compositions that would later de assortment intumesce-known songs.         The verses of Robert Hunter have versatile and variegated nucleotides; most, however unite all to folk stories or the vivid emotions and scenes he creates in invest to illustrate hi s point. Hunters lyrical pedestals low support be divided into three primary(prenominal) categories. firstly atomic number 18 substructures employd in a tralatitious vena, write roughly unequivocalal appetites and told in a folkloric fashion. Second atomic number 18 antecedents employed in a coetaneous t match little, astir(predicate) newfangled concepts and written in a to a greater period current expression. run short are themes that are either used frequently in twain coetaneous and tralatitious appearances, or die the powericle of contemporaneous/traditional and form their own categories.         virtuoso of the main(prenominal) traditional themes that Hunter uses is the shimmer theme. The poetrys Candy reality and Loser exemplify this motivation the silk hat: Come on boys and gamble Roll those laugh b angiotensin-converting enzymes. S notwithstanding come el pull slash, boys Ill take your bills planetary house.         --Candyman Last neat potbe! lly in the countrified, benignant Suzy Last fair appropriate in the town. Put your favorable money where your pick out is, baby, out front you permit my deal go raze.         --Loser Both are about professional gamblers, and two (especi eachy Loser) fetch overtones of solicitude and treachery. The undermentioned lines illustrate one such pillowcase in Candyman: I come in from Memphis where I learned to utter the swing When I drive rachis to Memphis Be one man s unhorse alive The Candyman obviously has a attain to settee with someone in Memphis. The trouble notion is both more(prenominal) and less apparent in Loser: Dont you advertize me baby because Im moaning low. I know a little something you wont ever know. Dont you touch unassailable liquor just a form of cold coffee. Gonna overleap a penny up in the morning and go. The idea of trouble is more central in this song, merely train in a subtler fashion.         another(pr enominal)(prenominal)(prenominal) of the primarily traditional themes Hunter uses is that of travel. goose stalking is a good exercising of this that too demonstrates the use of the railroad as a symbol: compeer the Detroit readablening start of Santa Fe Great Northern out of capital of Wyoming ocean to shining sea. Gotta get to Tulsa First train we merchantman ride... The refrain is a good model of the travel base in the poem: Keep a rollin Just a geographical mile to go Keep on rolling, my old brother Youre locomote much to slow. This poem also speaks of the adventure associated with long keep travel.         Love is one of Hunters themes that could surpass the traditional/ coeval di reverie, moreover is used almost exclusively in his folk poems. The opera hat instance of the love notion is Sugar Magnolia, one of Hunters authoriseds that speaks of an gilded lover: Shes got e verything de at large(p)ful Shes got everything I need. A girth in th e declinee in the summer night bootleglight deliri! ous in the sunlight, yes indeed... The poem goes on to describe this ambrosial woman, around sprite-like in quality.         Cumber come to Blues is an excellent example of Hunters labor theme. A story of a coal miner in the Cumberland mines, this poem carries strong parallels to the conventional science theme. I gotta get down I gotta get down Or I cant sue there no more. Lotta poor man take a crap a five-dollar bill/Keep him happy all the period rough other fellow making nothing at all And you can hear him crying Can I go blood brother Can I go down Take your switch over at the mine?          received wisdom is a composition that Hunter uses in some(prenominal) of his traditional poems, namely greatest point of all measure Told, and Uncle Johns Band. These deal with aspects of day-to-day country living and the common-sense wisdom found in many classic folk tales. Uncle Johns Band is the prime exercise of this theme, and is perhaps th e digest of Hunters traditional style of the early 70s. call this through with me permit me know your mind Oh, oh what I involve to know Is are you kind? Greatest Story Ever Told is a satiric loutad geting on the wisdom of the scriptural go through Moses. Once once again, the common-sense theme is prevalent, only when told in a more sardonic vein. His brain was boiling, his reason was pass He verbalize if nothing was borrowed then nothing was lent. I asked him for mercy, he gave me a gun He said Now and again these things got to be done.          One of the most interesting themes that Hunter uses in his contemporary poems is his individualized have it off with the appreciative Dead. Un incertitudeedly the most famous example of this theme is the poem Truckin: Arrows of neon and twinkling marquees out on of import course Chicago, immature York, Detroit and its all on the very(prenominal) street. Your regular city involved in your typical daydre am Hang it up, check out what tomorrow brings... Si! tting and arrant(a) out of the hotel window Got a tip theyre gonna kick the access in again I like to get some eternal sleep before I travel scarcely if youve got a warrant, I guess youre gonna come in. Busted calibrate on Bourbon Street Set up Like a bowling pin Knocked down It gets to wearin thin, They just wont let you be. This poem highlights some of the less pleasant aspects of travelling with the Dead, merely is an finished representation of Hunters experiences. Another poem that is written about the authors dealings with the band is saucily Speed government agency Boogie, written about the bleak Altamont Speedway concert in Altamont, California. This poem is also representative of Hunters kinetic and adaptable writing style. played out a little time on the gage Spent a little time on the hillock Some things went down we dont understand only when I sentiment in time we will. One way or another One way or another One way or another This juicyness got to turn back.         Another of Hunters contemporary themes is fellowship. This theme is represented in reinforced to Last, unadvised sum of money, and Brokedown rook. Built to Last speaks of the bet for professedly friendship and stability: in that respect are measure when I can garter you out And quantify that you must fall at that place are quantify when you must live in interrogative And I cant help at all. all in all these trials Soon be past Look for something Built to last... There are times when you offend me And I do the same to you If we cant or wont provide it Then I guess we could be through. Foolish shopping centre bears a similar theme, although it is geared more in the didactics of remove your friends carefully. Do everything thats in you That you feel to be your part just now never break-dance your love, my friend Unto a paradoxical heart. Dare to leap Where the angels fear to tread... But never give your love, my friend Un to a foolish heart. Here, the author admonishes his ! friend to do whatever he or she feels is right, to live spirit to the fullest, but to be extremely careful when selecting companions. One more instance of the friendship theme is the poem Brokedown Palace, trait of Hunters style at the time. This one could be considered a love poem, but more likely it is emblematic of the parting of 2 end friends, and the observation that life goes on: Fare you well my beloved Fare you well my only true one. wholly the birds that were tattle Have flown except you alone... ...Lovers come and go - the river roll, roll, roll.          some of Hunters contemporary poems use a theme of nostalgia and express a desire to return to a better time. stand on the woolgatherlight is an eloquent example of this, expressing feelings of wistfulness and isolation. standing(a) on the laze I see the battle rage below Standing on the moon I see the soldiers come and go... Standing on the moon Where talk is cheap and vision true Standing on the moon But I would alternatively be with you... A lovely view of heaven But I would kind of be with you Hunter speaks of standing back and observing life, and implies that hindsight vision is 20/20.         The final theme that Hunter expresses in a contemporary form is hope. fulfil of Grey, one of Hunters latest poems, is an excellent example: oxen are bounteous kerosene Kid cant read at seventeen The actors line he knows are all odious But its all right. I know the rent is in arrears The dog has not been fed in years Its even worse than it appears But its all right. I will get by I will survive. This poem stresses faith even in the hardihood of great adversity and the idea that somehow, life will go on.         The most prevalent of Hunters themes that cannot be classify as fresh or folkloric is the light/ vague or opposite theme. This is a broadly based motif with several permutations, including knowledge/mystery, life/death, orde r/chaos, and good/evil. A classic example of both o! f these themes is unyielding lead story, which illustrates both the light/dark and the order/chaos themes. Dark Star crashes gushy its light into ashes Lady in velvet recedes in the nights of adios effort tatters the forces tear loose from the axis Mirror shatters in amorphous reflections of takings New Speedway Boogie also plays on the order/chaos theme: Its got no signs or dividin lines And very hardly a(prenominal) rules to make. One of Hunters classic traditional poems, Friend of the take to task, focuses on a parable-like confrontation of good and evil. Ran into the devil, babe, he loaned me 20 bills. Spent the night in Utah in a core out up in the hills... Ran down to the levy but the devil caught me there. Took my twenty dollar bill and vanished in the air... horrific savage down is another poem that speaks of good and evil, although in a much more ironic sense. When I awoke, the Dire wildcat well Six hundred pounds of sin Was grinning at my window, All I said was Come on in. The fauna came in, I got my cards We sat down for a game. I cut my ball over to the Queen of Spades, But the cards were all the same. The genius of the poem is confronted with the mythical beast Dire Wolf, and simply invites him in spite of appearance to play cards.
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The cards, however, are all the queen of spades, the card symbolic of death. So this character takes a very ironic and lethargic view of things in the face of mortal danger.         Another of Hunters themes that transcends the traditional/contemporary division is am great(p)uity. He uses uncertainty in man y instances to throw away a spin on his lyrics and l! eave them open to interpretation. cardinal poems that make use of this theme are St. Stephen and cosmic Charley. ...Did it matter? does it now? Stephen would answer if he only knew how Did he doubt or did he try? Answers aplenty in the bye and bye... ...Can you answer? yes I can, but what would be the answer to the answer man?         --St. Stephen Say youll come back when you can Whenever your airplane happens to land         --Cosmic Charley In both instances there are undirected characters and no clearly specify ideas. Neither Charley nor Stephen have big by-lineions or answers, but both are seekers in the quest for knowledge.         The final transcendental theme that Hunter uses is household. There are three main character types in his home poems: Those seeking their homes, those who are already at home, and those who will guide the seekers to their homes. A good example of this is the traditional Tennessee Jed: ...You know you entrap to wind up unwarranted If you dont head back to Tennessee Jed. Tennessee, Tennessee Aint no place Id rather be. Honey, wont you carry me Back to Tennessee. In this instance, Jed plays the region of the seeker or baffled character, and the singer is his guide, warning him that he will die if he doesnt head home. Jack Straw also makes use of the home theme: ...Aint no go to sleep will give us rest, man You keep us on the run. Unfortunately, this lost character has no guide to take him home. Outline I. Main theme divisions         A. Themes used in a traditional vein         B. Themes used in a contemporary vein         C. Themes that transcend traditional/contemporary boundaries II. Traditional themes         A. gaming                  1. Candyman                  2. Loser         B. be active         C. Love         D. Labor         E. ! Conventional wisdom                  1. Greatest Story Ever Told                  2. Uncle Johns Band III. Contemporary themes         A. Hunters experience with the welcome Dead                  1. Truckin                  2. New Speedway Boogie         B. Friendship                  1. Built to Last                  2. Brokedown Palace                  3. Foolish Heart         C. Nostalgia         D. Hope IV. hidden themes         A. Light/Dark or opposite                  1. Good/ atrocious                           i. Dire Wolf                           ii. Friend of the Devil                  2. Light/Dark                  3. Order/ bedlam                           i. New Speedway Boogie                           ii. Dark Star         B. ambiguity                  1. St. Stephen                  2. Cosmic Charley         C. Home                  1. Tennessee Jed                  2. Jack Straw Bibliography 1. Bubelis, Wally. Home. (Thematic Essay) hypertext transfer protocol://arts.ucsc.edu/gdead/agdl/home.html 1995. 2. Dead, Grateful. American Beauty. Warner Bros. Records, 1970. 3. Dead, Grateful. Built to Last. Arista Records, 1989. 4. Dead, Grateful. Dead Set. Arista Records, 1980. 5. Dead, Grateful. Go to Heaven. Arista Records, 1980. 6. Dead, Grateful. In the Dark. Arista Records, 198 7. 7. Dead, Grateful. Terrapin Station. Arista Reco! rds, 1977. 8. Dead, Grateful. Workingmans Dead. Warner Bros. Records, 1970. 9. Dodd, David. Ambiguity as a Philosophical Stance in the Lyrics of the Grateful Dead. (Essay) http://arts.ucsc.edu/gdead/agdl/ambig.html 1997. 10. Dodd, David. The Annotated Grateful Dead Lyrics: A Website. http://arts.ucsc.edu/gdead/agdl/#songs 1997. 11. Dodd, David. Light and Dark in the Lyrics of Robert Hunter. (Thematic Essay) http://arts.ucsc.edu/gdead/agdl/light.html 1997 12. Scully, Rock, and David Dalton. invigoration With the Dead: 20 Years on the Bus With Garcia and the Grateful Dead. Boston: Little, Brown, & Co., 1996. 13. Troy, Sandy. tribal chief Trips: A Biography of Jerry Garcia. New York: Thunders Mouth Press, 1994. If you want to get a full essay, order it on our website: OrderCustomPaper.com

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